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The school is locked down and surrounded by Dementors, ghostly, grim reaper-like figures tasked with returning Black to the prison. (You can probably thank incoming director Alfonso Cuarón for that.) Sirius Black ( Gary Oldman), who has been locked up in Azkaban for supporting Voldemort, has escaped, setting the wizarding community on edge. Also known as the one where these movies start getting really, really good. It’s up to Harry to set things right, but to do so, he’ll need to unlock the secrets of an enchanted diary that was written by a former student named Tom Riddle. These attacks seem to be related to the titular Chamber of Secrets, a secret room supposedly hidden in Hogwarts that could purge the school of students not born to wizard parents (discriminatorily called “mudbloods” in the Wizarding World). It’s Harry’s second year at Hogwarts, and the school has a problem – something or someone is freezing the students into a petrified state. As the Hogwarts Headmaster, Dumbledore (now played by Richard Harris) keeps an eye on everyone, while Harry and his pals attempt to solve a mystery involving a giant three-headed dog and the magical Sorcerer’s Stone. Upon entering the school, he meets his new BFFs, Ron Weasley ( Rupert Grint) and Hermione Granger ( Emma Watson), and immediately draws the ire of his potions teacher, the mysterious Severus Snape (Alan Rickman). That all changes with the arrival of a mysterious owl bringing exciting news: Harry is a wizard and he has been accepted into Hogwarts to begin his magical training. Harry has been raised by his aunt and uncle in the years since, oblivious to the magical world around him. As a baby, Harry ( Daniel Radcliffe) survived an attack by Voldemort that backfired on the dark lord, disembodying him, and claimed the lives of Harry’s parents.
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It's timeless, smart, visually brilliant and a great movie to watch with children to this day.At this point we jump ahead over a half-century and begin the main series, which will track the orphan Harry Potter’s yearly adventures at Hogwarts as he battles against various dark forces, including the evil wizard Lord Voldemort. It's far more of a kids movie than what would come later for Harry Potter, but that's entirely appropriate given the source material. The Philosopher's Stone is one of his best. The man directed Home Alone and Mrs Doubtfire for god's sake, he knew what he was doing! With fantastic movies down the line, Prisoner of Azkaban, being the most obvious example, it's easy to forget Harry Potter's sequels were following a visual and stylistic template designed, in part, by the steady hand of Chris Columbus. Outside of Star Wars and Indiana Jones, is there a more iconic and memorable Williams theme? I'd argue no. Perhaps most importantly, we wouldn't have had the sublime John Williams score. We wouldn't have the perfectly pitched Harry Potter aesthetic. We wouldn't have had the tremendous, perfect casting of Daniel Radcliffe, Emily Watson and Rupert Grint without this movie. Harry Potter and the Sorcerer's Stone (2001)
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Wherever the series goes next, you can find some fantastic stuff here.ĥ. Katherine Waterston and Ezra Miller provide intriguingly off-kilter support, and Colin Farrell is such a smolderingly seductive baddie it's a real shame Depp took over. It's also really well-cast: Eddie Redmayne is great as Newt Scamander, a big screen hero whose character is defined by gentleness, curiosity and compassion instead of violence and aggression. It gives fans and casual viewers a chance to enjoy the fantasy without being stuck in twee boarding school world, and the expanded look at Rowling's wizarding world comes with delightfully colorful creatures and a dandy retro fantasy vibe. And thanks to off-screen controversy (Rowling's outspoken views on Twitter, Johnny Depp's marital difficulties) the Fantastic Beasts series has sputtered like a wonky wand.īut we will say this: the first film is decent. When Warner Bros decided to turn Rowling's slim pamphlet into a sprawling multi-movie franchise, it could be seen as a return to the magic or cynical moneymaking sorcery. Fantastic Beasts and Where to Find Them (2016)
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